All my hyperfixations have fully broken containment. The Discourse revolves around documentaries, deception and memory, Nathan Fielder, and magic tricks. I’m so online right now. Just here gobbling up all the takes like Pac-Man with an unhinged jaw.

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Today in BIZARRE CRIMES: ESSAYS ON THE TEXAS CHAIN SAW MASSACRE, I dig into Gunnar Hansen's surprisingly nuanced Leatherface performance in a moment of calm as the sun goes down. 31 essays in 31 days, all for @popheist.com subscribers. Sign up for just 7 bucks a month to read them all!

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Pop culture attention spans stretch very, very thin, so I know we're off of STREET FIGHTER now - except SIKE, we're not, here's my review, and you damn well better read it because I did it for @popheist.com.

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the way the rite of spring sequence of fantasia uses white to highlight crashing waves reminds me a lot of ivan aivazovsky's work. not in technique obvs but in effect. light from within. jumps out at you a lot more in motion.

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@snydel.bsky.social randomly checking in to say I’m delighted to see a 4 star rating for THE ENTITY from you on letterboxd! Fun fact: that movie was why I started using letterboxd :)

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