Reporting from the San Sebastián International Film Festival, @maxborg89.bsky.social writes, “It would be tricky to separate art and artist since [José] Giovanni’s nefarious past is what informed his entire writing career.” buff.ly/7xgf7D3

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‘Coonskin,’ Ralph Bakshi’s blisteringly transgressive animated satire of American race relations, was released on this day in 1975: crookedmarquee.com/classic-corn...

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Locarno’s retrospective on the Hollywood blacklist featured “works sympathetic to left-wing causes, and titles that, via either content or cast/crew, were tied to paranoia that led to people losing their jobs over allegations of communist leanings,” @maxborg89.bsky.social writes. buff.ly/TCoWg3A

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“A difficult but compelling watch, more horror than social drama (think the crueler bits in ‘Carrie,’ minus the telekinesis), ‘3 Weeks After’ builds towards a wordlessly intense home stretch that will stay with me for a long time,” @maxborg89.bsky.social writes from Karlovy Vary.

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Hey, @maxborg89.bsky.social went to Cannes and wrote about it for the site!

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