“Anderson imagines the noise in the cockpit, the heat of no ventilation, the likely mirages that Earhart saw as she grew more and more tired.” New Sounds #4918, With Laurie Anderson, on ‘Amelia’:

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zzzahara's fourth album trades the romantic preoccupations of earlier releases for something harder-won — a tender, analog meditation on grief, mixed identity, and the strange clarity of sobriety. The Tonearm's Damien Joyce captures a melody. Tape Hiss and Tenderness — zzzahara's 'Distant Lands':

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"I've got customers who are in their 50s and 60s coming in with their teenage and tween and younger kids, shopping together. . . . I've even had goth grandmothers with their goth moms and the goth kids come in." Goth's not dead — How a subculture survived over 40 years in Texas:

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“Archival videos of the performance serve as a reminder of just how ready, willing, and able Irish crowds were for batshit local sounds once they were given the place to hear them. It’s an idea that’s worth holding onto, and running with, three decades later.” Revisiting The Fourth Dimension:

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"I love playing with these people; they do things that I could never possibly imagine, that I could never write." Don't miss Bill Kopp's conversation with M. Geddes Gengras on The Tonearm:

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