Devin Chaloux

Devin Chaloux

devinchaloux.com

PhD in Music Theory (not sure why I did this lol) Area of Expertise: EDM, Renaissance (Victoria), Music & Internet Culture, 19th/20th-c American music Career in RevOps & HubSpot NH | Millennial | AuDHD Primarily here to talk UConn/BOS/CIN sports

👤 Joined on 10 August 2025

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📜 Kullanıcı Geçmişi

  • 10 Ağu 2025, 21:03
    🎉 Bluesky'e katıldı - İlk kullanıcı adı: @devinchaloux.bsky.social
  • 27 Eki 2025, 20:34
    ✏️ Kullanıcı adı değişti: @devinchaloux.bsky.social → @devinchaloux.com

❤️ Beğendiği Gönderiler

It's a real "writes for MIDI" habit, which so rarely produces anything I'm jazzed to perform. Get back to the piano! And I say that as a pretty bad pianist!

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Yes, it reads as either total amateurishness (bad) or else (also bad) the implicit claims that the composer *can* distinguish 103 from 104 and that it's *important* for it to be 103, both of which I would require considerable evidence for

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I immediately mistrust these scores, unless it's something that needs a click track (like film or electronics) or something with an unholy metric modulation. Has nobody ever sat you down with a metronome? Do you not look at scores from the pre-digital age? Do you not proofread? It's never good.

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Any composer who writes a metronome marking like ♩= 103 should have to pass a test under laboratory conditions in which they correctly distinguish 103 from 104 ten times in a row

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Girl Dad Goals.

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