empressfukuda.bsky.social
fashion, poetry, film
👤 Joined on 18 June 2026
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@mightyaphrodite06.bsky.social@mightyaphrodite06.bsky.social → @prettypoems.bsky.social@prettypoems.bsky.social → @rougered56.bsky.social@rougered56.bsky.social → @crypticwoodwhite.bsky.social@crypticwoodwhite.bsky.social → @motherofdrew.bsky.social@motherofdrew.bsky.social → @thewritingmom.bsky.social@thewritingmom.bsky.social → @babesinfloydland.bsky.social@babesinfloydland.bsky.social → @shibuyawalker.bsky.social@shibuyawalker.bsky.social → @emilybrink.bsky.social@emilybrink.bsky.social → @empressfukuda.bsky.social"Vermeer captured something both about paint and irreducible to paint; his art is, at some fundamental level, about irreducibility itself." Kirsten Burke on Ruth Bernard Yeazell's latest: https://lareviewofbooks.org/article/johannes-vermeer-afterlives-ruth-bernard-yeazell-painting-dutch
Show PostNow watching BAKENEKO: A VENGEFUL SPIRIT (1968), a Japanese folk horror movie in which a murderous lord incurs the wrath of a ghost cat Written and directed by Yoshihiro Ishikawa #Caturday
Show Postif we’re getting this from mcwhorter then it looks like the worm is turning
Show PostDefinitely interesting, totally beyond anything I know about. The Japanese drive to develop robot carers suggests more relaxed attitudes - though the more I think about it, the more “aversion anyone intruding into my private personal space” feels very culturally specific rather than universal.
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