tvfxqsoul

tvfxqsoul

tvfxqsoul.bsky.social

my music is my life

👤 Joined on 02 March 2026

14

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📜 Kullanıcı Geçmişi

  • 02 Mar 2026, 05:02
    🎉 Bluesky'e katıldı - İlk kullanıcı adı: @qwertynumbersix.bsky.social
  • 20 Ağu 2026, 19:51
    ✏️ Kullanıcı adı değişti: @qwertynumbersix.bsky.social → @tvfxqsoul.bsky.social

❤️ Beğendiği Gönderiler

and then there's the whole can of worms with the favourtism and clear underpayment of people in the same group (eg the JTL split with H.O.T., dongwan from shinhwa being removed from the contract once it was time for renewals) thank god with shinhwa they all stuck together though to leave.

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please no need to apologise at all bc i am really glad we can talk about this here too! i also fell very strongly about this topic, and ppl who complain about kids debuting then in the same sentence gag over something like a2o are utterly tone deaf; this why its still happening in the industry.

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yes i get what you mean exactly dw!! it's very predatory right down to how he scouts people, kangta was literally plucked out of an amusement park at 13 and it's all started from there. what happened to scouting adults in reasonable places rather than schools and now online in DMs

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exactly the same with lsm; he has an ear and eye for talent musically, kudos to him in that respect. again it's his perception of real people he calls 'products' that is just utterly backwards and disrespectful to the people who have sacrificed their normal lives to work under him

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you get it exactly. it is very much the same as with min heejin the old creative director; i can respect her graphic design work and eye for styling etc is impressive, her work is highly recognisable for better or worse. yet acknowledge she is another creep who shouldn't still be working with kids.

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