One more Don Williams' scene where his work shines working with Art Davis. The dry brush is really apparent here and his work starts to get loose as he animates Porky walking back and forth and talking seen in "Mouse Menace"

Show Post

Time for Don William's work at WB. When he returned in 1946, he first worked with McKimson. Given he didn't want his cartoons to be "over-animated", the dry-brushes that Williams uses aren't apparent here, but his rigid, expressive traits are still here seen here in "Acrobatty Bunny"

Show Post

Time for this month's animator of the month which is Don Williams. Like Emery Hawkins, he moved across different studios in the West. His work is usually loose, but with a bit of rigidity with a good use of drybrush seen here in "The Beach Nut" as Wally Walrus chops down the hydrant Woody is in.

Show Post

Well that backfired terribly... =P Cartoon: "Zipping Along" ('53, Chuck Jones)

Show Post

Poor Tom - he was almost safe from the log falling on him. Excellently scene by Ken Muse here and Tom's facial expression when he gets hit on the head is excellent. Cartoon: "Little Quacker" ('50, Hanna-Barbera)

Show Post