obvious pointers to where they would go next, but a selfish part of me wishes they had dwelled in this soundscape just a little longer. An album so organic that it feels like it was carved from wood and has clay under its nails, but also contemporary both for the time and still now, 40 years on.

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The associated b-sides For What It's Worth and It's Getting Late In The Evening (those titles! Swoon!) are just as majestic, and the London 1986 live album captures *amazing* renditions and reimaginings of their earlier work at the time too. In retrospect, Chameleon Day and April 5th are very...

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Life's What You Make It is the big single which *should* feel over-exposed by now, but every time I hear it, it still sounds fresh: that tumbling rhythm as electrifying now as when I first heard it. I Don't Believe In You, Time It's Time, Living In Another World are all top drawer tracks too

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I've seen Spirit Of Eden and Laughing Stock become more lauded as time goes on, but it feels like Colour Of Spring gets a little overlooked. Landing in that rare space between being hugely experimental, wildly creative yet also accessible and a rewarding listen.

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The Colour Of Spring is 40. Courtesy of the great @wyndhamwallace.bsky.social thequietus.com/opinion-and-...

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