I've mentioned before I've updated my contracts to make sure everything in the production of my books is done by humans and not "AI"; if you're wondering what such a thing looks like, here's a clause covering that from a recent contract.

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Escape from New York, the glider scene. It's '81, a year before Tron revolutionised CG and Carpenter has 1/3 of Tron's budget...so how did he pull off an absurdly sophisticated wireframe simulation?! It's actually a cardboard city painted matte black, lined with reflective tape and lit with UV.

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I’ll have to go behind my partners back and get his work framed 😏

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Curt Connors if she locked in.

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