nayoungbishoff.bsky.social
PhD Scholar of Shakespeare Adaptation | Literature and Korean Pop Culture | Media Studies | Gender Studies @ George Washington University Published in Literature/Film Quarterly, Borrowers and Lenders, and The Palgrave Encyclopedia of Global Shakespeare
👤 Joined on 13 November 2024
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Can Visual Images of Ophelia be Feminist? @profjoubin.bsky.social shows how feminist performances that reinterpret traditional victimhood by parodying John Everett Millais' Pre-Raphaelite painting. youtu.be/7NKwcxLby-g
Show PostCan visual images of Ophelia be feminist? Join me this Wednesday 9:45 am eastern time/ 3:45 pm German time in Weimar on Zoom. Zoom for Wednesday inn.zoom.us/j/6134874283... // Meeting ID: 613 4874 2835 // Passcode: 523217 www.klassik-stiftung.de/en/goethe-un...
Show PostMy essay “Stillness in Motion: BIBI, Hongdae, and Flâneuserie Under Platform Capitalism” is out today! It looks at urban movement, platform capitalism, and what I call choreographed stillness: moments when stillness resists the systems shaping how women move. #BIBI #Hongdae doi.org/10.4324/9781...
Show PostChapter 4 (@nayoungbishoff.bsky.social): Sunmi’s “Gashina” begins with han, a Korean language of sorrow shaped by gender and memory, but it does not leave her there. Bishoff shows how the song turns abandonment into something else: self-definition, agency, and transformation. #SUNMI #CriticalKPop
Show PostMy second edited K-pop collection, The Cultural Politics of Transmedia Storytelling in K-Pop, officially came out yesterday from @bloomsburyacademic.bsky.social. I am a day late to my own publication announcement, but very happy to finally have this one in the world. A thread! #CriticalKPop
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