Every villain has to be misunderstood with a tragic backstory that doubles as a critique of a societal injustice. You can still do it well, sure, but it’s long ago ceased to be automatically interesting.

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I do think it’s funny how often deconstructions are the real trite cliches these days, but writers are just addicted to pumping those stories out and acting like they’re being original

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I like that the skunk respects the boundaries of the West End and would never venture into Coal Harbour

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municipal politicians be like

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Oh, he's running in Van Hastings

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