laurah.bsky.social
Film Studies prof curious about all things cinematic, trans, queer, feminist. Director of @transmediaportl.bsky.social. Author: TRANS CINEMA: MAKING COMMUNITIES, IDENTITIES, AND WORLDS (2026). she/her (white cis queer)
👤 Joined on 01 August 2023
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@laurah.bsky.socialGird your dinnerware!!! Karen Pearlman's BREAKING PLATES will be featured in the 23rd edition of Filmare la Storia, *tomorrow* (May 22nd) at the Archivio Nazionale Cinematografico della Resistenza in Turin!!! ancr.to.it/2026/05/18/f...
Show PostThe ENTIRETY of the work Nate has done on an exhibit that is opening in less than a week.
Show PostNate offers to "list them under her name" (name her as the donor?). If it needs to be said, no actual paperwork is done as part of this donation, despite the hairy legal and access issues involved. Will this bite them all in the rear? Probably! RICHARD KENT, CALL YOUR OFFICE
Show PostHowever, this is a Hallmark movie and any conflict or risk or danger is absolutely verboten. So instead we just see Emily deliver the papers to the archives after so many pointless scenes of her dithering about it.
Show PostThe ancient wiring in the house catches fire but the fire is put out. Nate suggests again that Emily move the eighteenth-century letters that both of their careers now revolve around to a safer location but she's like, nooooo, I want them heeeere
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