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Richard Morris

@ahistoryinart.bsky.social did:plc:b2mztydd5hgm4yganvh2wglb

Art historian, dealer/art consultant 19thC and 20thC British/European art. Writing book on lesser known great artists. Seen in/on: CNN, NBC, The Spectator, The Times etc. website: richardmorris.org richard@richardmorris.org

Bluesky’a katılma tarihi:

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Richard Morris (@ahistoryinart.bsky.social), 9 Kasım 2024 tarihinde katılan bir Bluesky kullanıcısı. 11.195 takipçisi var, 105 hesabı takip ediyor ve 3.964 post paylaştı.

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Son beğendiği postlar

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  • Amy B@abbarsha.bsky.social

    #VoteBlue

    Postu göster
  • Richard Morris@ahistoryinart.bsky.social

    Richard Eurich developed his ability to paint the sea (this is Penzance, Cornwall in 1937) in all its moods and in all weathers. He concentrated on what he saw as 'the problems,' by which he meant the structure of water and a background featuring harbours and landscapes.

    Postu göster
  • Richard Morris@ahistoryinart.bsky.social

    The Concert.' (1954) In mid-1950s there was a shift in the way David Park painted, he began to embrace a more representational approach to painting and specifically painting the figure: 'not so much their actual appearance from a reportorial standpoint – but their aura.'

    Postu göster
  • Fiona McLees@mclees-fiona.bsky.social

    A jewel casket, what an evocative object. Such a thing could contain all manner of treasures & secrets. And to be gifted one - not by your husband, but by your lover, in wood firmly bound with iron bands, a miniature strong box for you alone to have power over. (Jane Morris’s casket at Kelmscott)

    Postu göster
  • MItten Mary@mittenmary.bsky.social

    I just saw this (again) at the Art Institute of Chicago! It’s so enigmatic, and the composition is stunning.

    Postu göster

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