Well why not

Show Post

One of my favourite Ozus!

Show Post

>> Reminiscent of Michael Haneke at times, the film makes terrific use of colour (red in particular) and interior spaces to create an austere, claustrophobic atmosphere and a brooding sense of tension. And yet, there are brief moments of warmth here too, particularly in the >> #FilmSky #LFF

Show Post

>> One of the powerful elements here is how the director focuses on the use, abuse & objectification of women’s bodies by men, both during the conflict and by punishing suspected ‘collaborators’ after the event, almost as a way of assuaging the nation’s guilt. >> #FilmSky #LFF

Show Post

WOMAN UNKNOWN (May el-Toukhy, 2026). Set in Denmark in the aftermath of WWII, this precise, formally rigorous film raises pertinent questions about complicity and what constituted ‘collaboration’ with the Nazis during the turmoil of war. >> #FilmSky #LFF

Show Post