Meryl Faiers

@merylf.bsky.social did:plc:3vu72sg3hnwd5ctvicpwkojm

Early modern commercial London theatre; the King’s Women: discovering the wives, sisters & daughters at the heart of Shakespeare’s acting company.

No Bluesky desde 12 outubro 2023

Resumo

Meryl Faiers (@merylf.bsky.social) é um usuário do Bluesky desde 12 outubro 2023. Tem 668 seguidores, segue 166 contas e publicou 173 posts.

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Hester L-J@starcrossed2018.bsky.social02/11/2026 17:53
Worcester: not FAIR; King: get OUT #ProdigalPrince #SlowShakespeare www.english.cam.ac.uk/research/slo... Ann Ogbomo as Worcester in the 2014 Donmar Henry IV (with its women's prison frame), dir. Phyllida Lloyd.
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Hester L-J@starcrossed2018.bsky.social01/11/2026 10:36
King Henry: no more Mr Nice Guy! #ProdigalPrince #SlowShakespeare www.english.cam.ac.uk/research/slo... Chimes at Midnight (1965): Welles shot court scenes in the Castell de Cardona in modern Spain, filming the king from behind/in long shot, surrounded by towering verticals, vast spaces, sidelights.
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Prof Tracey Hill@tracelarkhall.bsky.social31/10/2026 14:45
And my favourite bit, invoking the spectre of plague 💀 (From The Wonderfull Yeare, 1603)
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Hester L-J@starcrossed2018.bsky.social31/10/2026 14:41
Hal: Oh, I'll SHOW you; this is a STRATEGY #ProdigalPrince #SlowShakespeare www.english.cam.ac.uk/research/slo... Alex Hassell as Hal in the 2014 @the-rsc.bsky.social Henry IV, dir. Greg Doran
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Shakespeare Institute@shakesinstitute.bsky.social31/10/2026 14:40
Some gorgeous photographs from last week's 'Shakespeare's Cosmos' event at The Exchange in Birmingham, featuring our stellar PhD students Lousia Pickard and Kibria Nasir in conversation with our Brilliant Dr Simon Smith under the warm light of the phenomenal Helios installation☀️
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