What I'm hearing for example is that the volume of slop on Steam Next Fest didn't just compete for attention with legitimate games, it depressed user engagement to the point that nobody was getting attention.

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People may joke but this might be where this all ends up: on the industry recreating old forms of gatekeeping so that social proof and webs of trust can be used to stem the tide of low-effort slop, effectively undoing what digital distribution did in the late 2000s and early 2010s.

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Do you ever wonder if Heidi Klum is too good at partying

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I carved a pumpkin

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