and historically avoided in ecclesiastical performance so it's a natural fit in gothic dark fantasy games having to do with demons and eldritch powers for composers, and I am always lowkey thrilled hearing it utilized unabashedly, like here 😍 Happy Halloween!!

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and I LOVE so much she chose to do it this way because it truly sounds like pure evil when you hear it in game. Extreme dissonance over extreme consonance, extremely unsettling when you hit this area coming from the jazz lounge-y Crystal Teardrops in the Underground Caverns, you feel so small and-

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NEW COVER for Halloween and to top off the Yamane portion of the composer series, Abandoned Pit - Castlevania: Symphony of the Night (solo piano) www.youtube.com/watch?v=KZY5.... IMO more VGM should be abusing tritones/major 7ths/major 2nds and just shamelessly cavorting in atonality in general-

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Some game maps are works of art.

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I'm just going to keep saying it but the level design in Queen's Domain is SO good. Y'know how the original Dark Souls 1 was all one contiguous interconnected space? Imagine that but more, where there really are just back-roads and connections and secret passages between everything in odd places.

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